CARRIE SECRIST GALLERY

Murmur Ring partnered with Carrie Secrist Gallery to highlight the shifts in art making and engaging that have occurred amidst the COVID-19 pandemic.

 

“Creatives had never felt this level of disconnection. To provide both an opportunity and a forum where they could not only reconnect physically, but also creatively, by having their work shown with each other... I thought that was not only an interesting idea but a really needed idea.”

Carrie Secrist

Inspired by a short epigraph on the title page of E.M. Forster’s novel Howards End, the exhibit Only Connect was about the connection, conversation, and support found between artists, amidst a time of unprecedented isolation brought on by the COVID-19 pandemic.

Murmur Ring captured the exhibition on film.

“Why the show? Why at this time? During the pandemic everything has become purposeful. Everyone does everything for a purpose. You go to the store for a purpose. All the extra has been taken away. Also, the market has been a less driving force for the the artists. They’re able to return to a more pure, primal, and purposeful intention for creation. Which is why I do what I do.”

Carrie Secrist

Usual Objects is a still life exhibition that “examines the contemporary still life in the current context of the coronavirus pandemic against this historic backdrop.”

While Only Connect prompted artists to rely on the partnership and support of fellow artists, Usual Objects asks us to turn inward, examining the objects that we find ourselves spending more time with now than ever before.

AMANDA ROSS-HO

“I always like to think about artists as contemporary mythmakers where they are in an environment, they recede from that environment and then they translate it and bring it back as record of that time. In that notion, artists are really thriving in my opinion in this time.”

Carrie Secrist

AMANDA ROSS-HO

The group exhibition Plain Air featured nine artists exploring the traditional genre of landscape.

Each of the exhibitions in this series have tracked our lived experiences throughout the pandemic. Plain Air, the third installment in the series, captured a moment of reprieve with our access to vaccinations and the changing of political leadership. On view prior to the new COVID-19 variants, the exhibition plays the tradition of plein air painting with landscape as the ideal and original muse for artistic interpretation.

“I love seeing the work in all the different ways the artists who I’m sharing the gallery with are engaging with it from mediated space of the computer screen to the banal daily routine of walking your dog. How all of these different things are meaningful.”

— Leslie Baum

Murmur-Ring-Carrie-Secrist-Andrew-Holmquist

“Plein air painting is about looking directly at nature for inspiration. It’s about removing any kind of mediation, any kind of screen, whether that’s literal or figurative, that gets between the artists body and the landscape.”

— Andrew Holmquist

 
 

Was/Is/Ought

The fourth exhibition in this series, Was/Is/Ought explores the mystery, dilemma and fluidity of time, made evident during the pandemic.

As the gallery describes it: “The end of 2019 will mark history in most of our lifetimes as the last we knew as “normal” or what Was life as we knew it. The new world landscape of 2020 ushered a paradigm shift toward intensely present living, for what we understood to be what Is began to shift precariously and constantly beneath our feet… As the dust begins to settle, we move toward a hopeful and trepidatious post-pandemic world, carrying forward resolutions in science, politics and personal reassessment of purpose / importance of all things. 2021 is the first year of what is next, and how it Ought to be.”

 

Art has the capacity to confound and shift time.

— Diana Guerrero-Maciá

 

What keeps me going back to the studio is things exceed my ability to imagine them.

— Scott Stack

 

ARTISTS IN PLAIN AIR

LESLIE BAUM

TANYA BRODSKY

DEBORAH BROWN

SPENCER CARMONA

ANDREW HOLMQUIST

MIKE HOWAT

OLIVIA SCHREINER

SOPHIE TREPPENDAHL

EMMA WHITE

ARTISTS IS/WAS/OUGHT

WHITNEY BEDFORD

ZACH BRUDER

ANTONIA CONTRO

STEPHEN EICHHRON

BRENDAN GETZ

DIANA GUERRERO-MACIÁ

HILMA’S GHOST

ANNE LINDBERG

CHUCK RAMIREZ

KAY ROSEN

AMANDA ROSS-HO

SCOTT STACK

OLI WATT

AGUSTINA WOODGATE

CREDITS

MIRIAM DOAN
Photography — Only Connect

Film — Only Connect and Usual Objects

NATHAN KEAY
Photography — Only Connect, Usual Objects, Plain Air, Was/Is/Ought

JEREMY STARK

Editing — Only Connect and Usual Objects

LEE HART

Audio — Only Connect and Usual Objects

JACKIE TREZZO

Film & Photography — Plain Air ,Was/Is/Ought

MEGAN DIDDIE

Editing — Plain Air, Was/Is/Ought

ARTISTS IN ONLY CONNECT

DANNIELLE TEGEDER & SHARMISTHA RAY

MEGAN GREENE & THALIA AGOSTO

DIANA GUERRO-MACIÁ & JESSE HARROD

ANTONIA CONTRO, CLARA LYON & HANNAH COLLINS

ANNE LINDBERG & GINNY THREEFOOT

LILIANA PORTER & ANA TISCORNIA

EARTH ART CREATIVES & CAROLYN OTTMERS

LISA SOLAR & LIZ NIELSEN

WHITNEY BEDFORD & ANNA SCHACHTE

HEATHER BECKER & JEANNE GANG

ARTISTS IN USUAL OBJECTS

AMANDA ROSS-HO

BRENDAN GETZ

CHRIS BRADLEY

LILIANA PORTER

NICOLE DYER

MATT LIPPS

MADELEINE LEPLAE

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CHICAGO'S CULTURAL HISTORIAN: TIM SAMUELSON